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Pierre Schaeffer - l'Oeuvre Musicalel'oeuvre
musicale - the complete works of Pierre
Schaeffer is back! Following a huge
demand, GRM have re-issued this collection of works in a
3 CD boxed set. This is a superb compilation of the music
of the 'father of electroacoustic music'. A must have for
any electroacoustic library! |
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New from Digital Music Archives - Download a
continually expanding catalogue of electroacoustic
music tracks!
You can now download a selection of single tracks of music from
our website. All the tracks are encoded as top quality MP3s at
320k. All you have to do is go to our tracks
page, add the ones you want to your shopping cart, and you
will be presented with a webpage with links to the tracks as soon
as your credit card payment has been authorised. You will also
be sent an email with the links and a seven day period to download
the tracks. |
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| Pierre Henry says of Labyrinthe - "For
the first time during my journey and ventures into the world
of creation, I dreamt of a breath of fresh air deriving from
the electronic realm."
This CD is a real retrospective of this pioneer of electronic
music. |
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Our UK
Event Listings service is
now online....
We now have a listings page for concerts,
festivals, conferences and workshops of electroacoustic
music in the UK. We hope it will soon be the place
to check up on whats happening and where. Its already up and
running - click
here! to check it out. |
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Looking for a course
in electroacoustic composition? - Try our links
page for some of the best places in the UK. You'll also
find links to organisations and institutes all over the world.
Think we've missed out on something? Email us at links@digital-music-archives.com and
let us know. |
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| We are fans of Bernard
Parmegiani and so we now have all six of his CDs in stock.
If you don't know his music, we recommend that you make an
acqaintence with it by listening to some clips and reading
the comprehensive notes which we have on the site. Click here for
links to his biography and all his CDs. |
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Information on experimental and improvised music in Greece. |
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The International Computer Music Association is an international affiliation of individuals and institutions involved in the technical, creative and performance aspects of computer music. It serves composers, engineers, researchers and musicians who are interested in the integration of music and technology. |
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The London Musicians Collective is a charity and membership organisation devoted to contemporary music.
It promotes improvised and experimental music via concerts and an annual festival; undertakes musical workshops; and twice-yearly publishes the magazine and CD package 'Resonance'.
Resonance 104.4 FM is London's first radio art station, brought to you by London Musicians' Collective. It starts broadcasting from May 1st 2002 at 5 pm Expect the unexpected from what New York's Village Voice calls the "Best Radio station in the world". Resonance 104.4 FM is a radio station with no play lists, no smarmy DJs or pompous pundits; a radical alternative to the universal formulae of mainstream broadcasting. Programmes made by artists who represent the diversity of London's arts scene, including Savage Pencil, Gavin Turk, Matthew Glammore, Caroline Kraabel and countless others.
Resonance 104.4 FM promises to bring a multitude of experimental sound, new music, radio art and interaction to the capital's airwaves. Resonance 104.4 FM will broadcast from the heart of London and on the web at www.resonancefm.com, where you can check out full programme listings.
On air between 5 pm and 1 am daily, and noon till 1 am at weekends, Resonance104.4 FM is the only station of its kind in the UK providing access radio for the London arts community. |
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Sonic Arts Network is an events, education and information resource with members worldwide. They aim to raise awareness and innovate new approaches to sonic art by providing information and opportunity across the UK.
Founded as the Electroacoustic Music Association in 1979 their aesthetic principles are tied to those of a medium with an experimental approach to sound and technology. Developments within and around electroacoustic music have led this organisation to broaden its network and to engage with a plurality of disciplines. SAN remains unique in the diversity of its activities, both at home in the UK and elsewhere in the world.
Their role as a network, providing information and opportunity on UK sonic art to a world-wide community of members, connects individuals and institutions across aesthetic and geographic borders; our work in education has, since the 1980s, remained at the cutting edge of artistic and strategic creativity; and our support for new work through commissions, research and events has encouraged new developments in sonic art and helped pave the way for the current frenzy of activity in sound work.
If you are interested in experimental approaches to sound and the ways in which new technology is transforming the nature and practice of music you might wish to join SAN. |
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From contemporary, jazz, classical and popular music to that written for film, dance and other creative media, spnm is one of the main advocates of new music in Britain today.
spnm was founded in 1943 and continues to fulfil and build upon the brief that spurred its existence: to promote and advance the education of the public by encouraging the understanding, appreciation and development of music composed by living musicians born or resident in the UK, and of music generally as expressed in any other medium or form.
spnm achieves this through its eclectic annual programme of concerts, events, workshops and collaborations and through its two publications new notes and Beat Magazine. Guest artistic directors add their own special flavour: Steve Martland for 2000/2001 and Nigel Osborne for 2001/2002.
Through its award-winning work with composers of all ages, spnm generates an interest in the new. Work is brought to the public ear through partnership, dialogue and interaction with performers and audiences. Through this process the mystery which has surrounded the composition of new music is dispelled.
There are no boundaries. spnm will continue to develop this forum of inspiration and support for audiences, performers, composers and other creative artists over the next fifty years and beyond.
To keep up to date with the work of spnm or to become a member, visit our website or telephone us on 020 7407 1640 or contact us at the following address:
spnm
4th Floor
18–20 Southwark St
London SE1 1TJ |
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Director: Jonty Harrison
Internationally renowned department, especially for its BEAST sound system. More info on their website |
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Director of Studies: Dr Tim Howle
Location:University of Hull Scarborough Campus, Filey Road, Scarborough, Yorkshire, YO11 3AZ, United Kingdom
Undergraduate and postgraduate (MRes and PhD) degree courses in Creative Music Technology.
A vibrant department, with a rapidly growing profile. Facilities include:
Two 32 track recording studios
Two Mixing studios (with overdub facilities)
Two Research studios (with Pro Tools and IRCAM software)
An 8-channel electroacoustic music studio
A 5.1 Film and TV mixing studio
18 Workstations
Events include concerts, composer and performer led workshops, trips to other events, and conferences.
Contact: Peter Elsdon (recruitment) on +44(0)1723-357370
email:P.S.Elsdon@hull.ac.uk |
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Director of Centre: Dr. Kia Ng
Location: housed within School of Music (but separate from Music), University of Leeds, LS2 9JT.
for activities, individual contacts and further information, please visit: www.icsrim.org.uk
email: icsrim@CompMus.com
Site will be updated soon with more interesting details of research and facilities. |
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Fast and articulate sonic theatre. Transcendentally elegant journeys with strong contrasts and playful transformations, games of tension and resonance.
Giannoulakis is an engineer, composer, sound designer and instrumentalist based in Athens, Greece. He studied Electronic and Biomedical Engineering at the National Technical University of Athens, took an MA in Digital Music Technology at the University of Keele with Mike Vaughan and Rajmil Fishman and a Ph.D. in Electroacoustic Composition at the University of Wales Bangor with Andrew Lewis.
Composition with recorded sound, free improvisation, collaborations with other musicians and visual artists. Music and sound design for installations, dance, theater. Performing on electric guitar, percussion, didjeridoo, trumpet, synthesizers and self-made instruments in acousmatic-funk-samba-reggae-dub-noise-fusion projects.
More
Details.... |
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