|
|
|
|
|
|
|
|
|
Trevor Wishart - Globalalia/Imago
 A
re-issue of Globalalia which explores human speech and the syllables
common to all, and Imago, which is constructed entirely out of
the sound of 2 whiskey glasses being clinked together. Classic
Wishart at his best!
Wishart writes: "In Globalalia,
I wanted to use human speech, but focus on what we hold in common
as human beings. Although the world’s languages contain many
millions of words, these are constructed from a much smaller set
of sounds, the syllables. I wrote to several friends asking them
to collect voices from their local radio stations, and also recorded
voices from TV stations via satellite dish, assembling sounds from
134 voices in 26 different languages. I then edited these into
their syllables, ending with more than 8300 sources." |
Francis Dhomont - Etudes Pour Kafka
 A
new release from Francis Dhomont, who in the opinion of many
is the greatest living composer of electroacoustic music.
This CD contains 3 studies which were the seeds from which many
of his other works grew. Behind major works of the scope of … mourir
un peu, Sous le regard d’un soleil noir, and Forêt
profonde, in these studies Dhomont experiments with the
themes, tries out sound materials, and unveils glimpses of the
final work. Dhomont at his best! |
Denis Smalley - Sources - Scénes
 One of our most popular titles is back in stock. Denis Smalley is one of the UK's best known composers of electroacoustic music, and this CD is a personal favourite of ours - definitely a desert island disc. The music is simply stunningly beautiful, the production and sound quality are as good as it gets. If you don't already have this CD, don't put it off any longer. |
|
|
 We are fans of Bernard
Parmegiani and so we now have all of his CDs in stock, including
the newly released l'Oeuvre Musicale. If you don't know his
music, we recommend that you make an acqaintence with it by
listening to some clips and reading the comprehensive notes
which we have on the site. Click here for
links to his biography and all his CDs. |
|
|
 We now stock a selection of the best electroacoustic
CDs from the GRM Catalog,
both historic and new - Electroacoustic Classics from Pierre
Schaeffer, Pierre
Henry, Luc
Ferrari and Jean-Claude
Risset are just some of the new offerings.
One of our most popular GRM titles is Pierre Henry's Labyrinthe - Pierre Henry says of Labyrinthe - "For
the first time during my journey and ventures into the world
of creation, I dreamt of a breath of fresh air deriving from
the electronic realm."
This CD is a real retrospective of this pioneer of electronic
music. |
|
|
New from Digital Music Archives - Download a
continually expanding catalogue of electroacoustic
music tracks!
You can now download a selection of single tracks of music from
our website. All the tracks are encoded as top quality MP3s at
320k. All you have to do is go to our tracks
page, add the ones you want to your shopping cart, and you
will be presented with a webpage with links to the tracks as soon
as your credit card payment has been authorised. You will also
be sent an email with the links and a seven day period to download
the tracks. |
|
|
Our UK
Event Listings service is
now online....
We now have a listings page for concerts,
festivals, conferences and workshops of electroacoustic
music in the UK. We hope it will soon be the place
to check up on whats happening and where. Its already up and
running - click
here! to check it out. |
|
|
Looking for a course
in electroacoustic composition? - Try our links
page for some of the best places in the UK. You'll also
find links to organisations and institutes all over the world.
Think we've missed out on something? Email us at links@digital-music-archives.com and
let us know. |
|
|
|
|
|
|
| 3 CD Box Set: L'Oeuvre
Musicale The complete works of Pierre Schaeffer,
re-digitised and re-issued with newly discovered tracks. |
| Book and 3 x CDs: Solfege de l'Objet Sonore This book, accompanied by 285 tracks on 3 CDs of examples is a unique and indispensable resource work for all those interested in electroacoustic music. Examples by Parmegiani, Henry, Bayle, Xenakis, Luc Ferrari etc. illustrate Pierre Schaeffer's text. |
| Book: Audible
Design by Trevor Wishart |
| 5 CD Box Set: GRM
Archive 5 CD Boxed Set containing music spanning
half a century of GRM inspired compositions |
| 12 CD Box Set: Parmegiani: l'Oeuvre
Musicale The complete works of Bernard Parmegiani
on 12 CDs |
|
|
|
|
| |
|
|
Hildegard Westerkamp emigrated to Canada in 1968 and gave birth to her daughter in 1977. After completing her music studies in the early seventies her ears were drawn beyond music to the acoustic environment as a broader cultural context or place for intense listening. Whether as a composer, educator, or radio artist most of her work since the mid- seventies has centred around environmental sound and acoustic ecology.
She has taught courses in Acoustic Communication at Simon Fraser University (1981-1991) in Vancouver (BC) and is giving lectures and conducting soundscape workshops internationally. She is a founding member of the World Forum for Acoustic Ecology (WFAE, 1993) and was the editor of The Soundscape Newsletter between 1991 and 1995 and is now on the editorial committee of Soundscape—The Journal of Acoustic Ecology, a new publication of the WFAE.
Her compositions have been performed and broadcast in many parts of the world. The majority of her compositions deal with aspects of the acoustic environment: with urban, rural or wilderness soundscapes, with the voices of children, men and women, with noise or silence, music and media sounds, or with the sounds of different cultures, and so on. She has composed film soundtracks, sound documents for radio and has produced and hosted radio programs such as Soundwalking and Musica Nova on Vancouver Co-operative Radio.
In a number of compositions she has combined her treatment of environmental sounds extensively with the poetry of Canadian writer Norbert Ruebsaat. More recently she has written her own texts for a series of performance pieces for spoken text and tape. In addition to her electroacoustic compositions, she has created pieces for specific ‘sites,’ such as the Harbour Symphony (1986) and École polytechnique (1990). In pieces like Visiting India, she explores the deeper implications of transferring environmental sounds from a foreign place into the North American context of electroacoustic composition and audio art culture. Most recently she collaboarated with her Indian colleagues Mona Madan, Savinder Anand, and Veena Sharma on a sound installation in New Delhi entitled Nada—an Experience in Sound, sponsored by the New Delhi Goethe Institut (Max Mueller Bhavan) and the Indira Ghandi National Centre for the Arts.
By focusing the ears’ attention to details both familiar and foreign in the acoustic environment, Hildegard Westerkamp draws attention to the inner, hidden spaces of the environment we inhabit. On the edge between real and processed sounds she creates sonic journeys in her compositions that reveal both the contradictions and visions of beauty in todays' world.
More
Details.... |
|
|
|
|
|